Performing Arts : Film

Bad Women takes us back to this time of massive social, cultural, and economic change to show us how American cinema gave women and women’s sexuality images useful to the new consumer culture of the early 1900s and its exploitation of sexual pleasure. Rich in historical detail and theoretical insight, this book offers an original depiction of a culture in transition, a sexual sensibility in the making, and film’s participation in the change. more...

Price: $97.50

This book examines in depth for the first time the origins, development, and reception of the major dramatic screen representations of ‘The Few’ in the Battle of Britain produced over the past seventy years. It explores both continuity and change of presentation in relation to a wartime event that acquired near-mythical dimensions in popular consciousness even before it happened and has been represented multiple times over the course of the past seven decades. Alongside technical developments, considerable social, cultural, and political fluctuation (as well as an expansion of factual knowledge concerning the battle itself) occurred in this period, all of which helped to shape how the battle came to be framed at particular junctures. The ways in which the Battle of Britain was being represented in other fictional forms as well histories and commemorations form part of the context in which screen representations are explored. Films discussed in detail include The Lion Has Wings, First of the Few, Angels One Five, Reach for the Sky and Battle of Britain, along with the television productions Piece of Cake and A Perfect Hero. Foreign productions, such as A Yank in the RAF and Dark Blue World, as well as abandoned projects and dramas in which ‘The Few’ feature in a more tangential fashion, are also mentioned in context. The emphasis throughout is on production issues and the extent to which these screen dramas reflected or influenced popular understanding of 1940. The Battle of Britain on Screen is therefore a contribution to the growing scholarly literature on how the Second World War has been remembered and represented within the United Kingdom. more...

Price: $33.99

From film festivals to university campuses, from private homes to first-run theaters, people everywhere are viewing and discussing gay, lesbian, queer, bisexual, and transgender films and videos. Between the Sheets, In the Streets considers these videos and films, testifying to the unavoidable connections between sexuality (the sheets) and activism (the streets) for all who identify as gay, lesbian, or queer in the 1990s. This first collection of essays to focus exclusively on queer, lesbian, and gay documentary argues that documentary films and videos speak with a sense of political and social urgency, acting as testaments to the importance of reclaiming history and asserting the importance of these points of view. Among the topics discussed are representations of young queers on such shows as MTV’s The Real World; pre-Stonewall films; portrayals of lesbians and aging; video activism in Oregon and the South; and the works of Derek Jarman, Su Friedrich, Cheryl Dunye, and Sadie Benning. A range of films and videos is examined, including Strangers in Good Company, Paris Is Burning, Juggling Gender, Silverlake Life, and Without You I’m Nothing. Tracing an exhilarating range of perspectives and subject positions, Between the Sheets, In the Streets is an essential guide to current developments in queer, lesbian, and gay documentary. Contributors: Chris Cagle, Linda Dittmar, Lynda Goldstein, Ronald Gregg, Janet Jakobsen, Lynda McAfee, Kathleen McHugh, Beverly Seckinger, Marc Siegel, Chris Straayer, Erika Suderburg, Thomas Waugh, and Justin Wyatt. more...

Price: $99.00

Beyond Bollywood is the first comprehensive look at the emergence, development, and significance of contemporary South Asian diasporic cinema. more...

Price: $31.95

Argues that it was the human form in motion that most profoundly shaped early cinema. Situating his discussion in a political and historical context, the author begins his analysis with films that reveal striking anxieties and preoccupations about persons on public display. It also considers twentieth-century American incarnation of cinema itself. more...

Price: $19.96